art object
英 [ɑːt ˈɒbdʒɪkt]
美 [ɑːrt ˈɑːbdʒekt]
网络 艺术品; 艺术物品; 艺术对象; 艺术物; 一种艺术对象
英英释义
noun
- a work of art of some artistic value
- this store sells only objets d'art
- it is not known who created this piece
双语例句
- To this phenomenon, This text regards new media as the foundation of studying, regards digitization and movie TV art as the research object and researches the relation among new media, digitization, movie TV art.
针对这一现象，论文以新媒体为研究基础，以数字化与影视艺术为研究对象，从新媒体与影视艺术创作、影视艺术传播、影视艺术产业的关系上进行研究。 - From the very beginning, he distinguishes aesthetics from the theory of art, and determines the object of aesthetics is the aesthetic relation.
蒋孔阳有一个较高的逻辑起点，一开始就将美学与艺术学做了区别，确认美学的对象是审美关系。 - This paper takes engineer who represents technology and architect who represents art as the research object, through their ideas of designs and analysis of works to discuss the phenomenon that the schism and corporation between the architect and the engineer.
本文以建筑技术和艺术实施的本体&建筑师和工程师为研究对象，通过对他们的设计理念和作品的分析，来探究在历史上建筑师和工程师分野与合流的这个特殊现象。 - All the general cultures and general arts, including high-tech culture, culture of consumption, commercial culture, culture of disseminator, city culture, the people culture, etc, are regarded as the activities of art and the object of art education.
高科技文化、消费文化、商业文化、传媒文化、都市文化、大众文化等所有一般文化、一般美术，都被视为美术和美术教育对象的活动。 - Oriental Art is the object of study in Hegel's Aesthetics when he talks about symbolic art in his Aesthetics.
黑格尔在《美学》中论及象征型艺术时，以东方艺术作为观照对象，但他对东方艺术存在着明显的误读。本文从三个方面对此进行了论述：一、黑格尔观点的片面性； - As of Ming art and ancient culture and art a good object.
成为研究明代艺术以及古代文化艺术的一个绝佳对象。 - There is a misconception in modem philosophical aesthetical existence which takes art as a split object between objectivity and aesthetical subjectivity.
中国当代哲学美学存在将艺术作为一个客观的与审美主体人分裂的对象来看待的误区。 - The third chapter discusses the theory of art object as theoretical weapon for criticism of contemporary consumer and proposed vicious characteristic of art object in the consumer culture and simulacrum culture: kitsch, value differences, virtual, implosive.
第三章论述鲍德里亚拿起作为物的艺术客体为理论武器，批判艺术客体在当代消费领域和拟像领域沾染上的恶性：媚俗性、价值差异性、虚拟性、内爆性。 - Art becomes the object of popular consuming.
艺术成为大众消费的对象。 - In contemporary human art practice, object form and concepts that three basic ways of visual art have been full of development, and presents a substantial change.
在当代人类的艺术实践中，物象、形式与观念这三种视觉艺术的基本实现方式都得到了充分的发展，并呈现出了丰富的变化。